Amanda GookinFlutronix is beyond thrilled and honored to say we are BOTH composers for cellist Amanda Gookin’s Forward Music Project. We are joined by a roster of phenomenal women composers including Angelica Negrón, Amanda Feery, Leila Adu, Jessica Meyer, and Morgan Krauss.

From Amanda’s site: “The Forward Music Project is driven by social justice for women. We musicians, now more than ever, have an incredible ability to effect change in our communities. I commissioned composers to write pieces based on their personal story or a particular issue that affects women and girls. The compositions are stylistically contrasting and represent the vast definition of what it means to be a woman, ranging from issues of the LGBTQ+ community and reproductive rights to sexual violence and empowerment. A visceral experience, the composers require that I embody the spirit of their message physically, mentally, and emotionally. In performance I sing, chant, fight and breathe life into these works.”

The Forward Music Project has been a unique opportunity for us to explore deeply meaningful and important narratives, while diving into the soundscape of the cello. Nathalie’s piece, Dam Mwen Yo, is a work for solo cello and electronics. Dam Mwen Yo in Haitian creole simply translates to “these are my ladies”.  In Haiti, the cultural image of women is one of strength.  They are pillars of their homes and communities, and are both fearless and loving, all while carrying the weight of their families and children on their backs. As a first generation Haitian-American, these women -mothers, grandmothers, sisters, aunts, cousins – were central to Nathalie’s upbringing and understanding of what it means to be a woman.  In Dantan, Haiti-Sud, where Nathalie’s family is from, it is rare to walk down the countryside roads without hearing the voices of women – in the fields, cooking for their loved ones, gathering water at the wells with their babies.  This piece and the voices within it are representative of these ladies – Nathalie’s ladies.  And the cello sings their song – one of strength, beauty, pain and simplicity in a familiar landscape.

Allison’s work, Stolen, is a sonatine for unaccompanied ‘cello with 3 short movements exploring the journey of a young girl who is sold into marriage. The first movement represents her stolen youth and the lamentation of saying goodbye to childhood. She is reflective of playtime, family memories and former dreams. While she is remembering pleasantries, she is also recognizing they are things of the past. The second movement explores the anxiety and sense of urgency felt about being forced into womanhood. She is full of complex feelings ranging from fear, unpreparedness, resentment and sadness. She also knows she has to bravely and quickly become an adult and sooner than later, a young parent. The third movement is her reluctant acceptance of and submission to an undesired life. She has assumed her new role, but is deeply yearning for the childhood she barely had and to have ownership of herself. Despite this, she must tend to her adult responsibilities as a matter of life or death. Today, one third of girls in the developing world are married before the age of 18 and 1 in 9 are married before the age of 15.

The Forward Music Project will continue to tour for upcoming seasons. Follow the project here for more info.


Flutronix Flutronix’s last EPK (electronic press kit) video was made possible by our dear friend Jun Oshima, a film director and professor at The New School. He invited us to his class and assigned students to interview us and create a EPK video. It was wonderful to not only work with his students, but to also have several great videos to choose from!

Recently, Jun invited us back to his class to do a new EPK video. We had the opportunity to share our history, our new work-in-progress Black Being, and explore topics outside of music-making including the American political climate, social justice and the arts at large. We’re excited to see what the students come up with – make sure you check back to see the final video when it’s done!


FlutronixInauguration Day was a day we were both dreading. Feeling utterly concerned and uncertain, we were less than enthused about the swearing in of our 45th President. Fortunately, we were invited to perform at The Anti-Inaugural Ball at The DiMenna Center in New York City, giving us the opportunity to express ourselves through music with a community of like-minded musicians. There was truly no better way to spend the night.

The Anti-Inaugural Ball featured riveting performances by several new music ensembles including the International Contemporary Ensemble, JACK Quartet, So Percussion and more. In addition to hearing live music, audience members had the opportunity to donate to the ACLU, Planned Parenthood and Lambda, with representatives from each organization speaking throughout the evening.

While everyone’s frustration with the election results was palpable, the room was full of positive energy and a great sense of community. The Anti-Inaugural Ball affirmed that the arts bring people together, are vital to political and social commentary, and are an integral component of humanity. We are personally more committed than ever to pursue our craft in a way that is reflective of the times and responsive to injustice and The Anti-Inaugural Ball served as the perfect catalyst to embark on this new journey.

I am THRILLED to officially announce the launching of my latest project, Diametrically Composed. This project is inspired by life as a mother and I am privileged to say I am working with an incredibly fierce group of musicians who are also moms!

To add to the excitement, Diametrically Composed has been fiscally sponsored by Fractured Atlas! Please read on for more details…

Diametrically Composed Allison Loggins-HullDiametrically Composed is a collection of newly commissioned works for flute and piano exploring the duality of being a mother and an artist.

Immediately after childbirth, it becomes clear that motherhood is multifaceted and life-changing. This new reality brings the joy of experiencing a newly created being and a powerful impact on creativity. Being an artist-mother is fulfilling, rewarding, and unpredictable – full of love, beauty, and constant learning. Caring for and cultivating the development of someone else’s life is a privilege and artistically inspiring. While our children inform our art, our art informs our children and the steady current of energy generated from the two creates a distinct and flourished experience.

While Diametrically Composed revels in the exuberance of being a mother and an artist, the work also confronts the notion that motherhood and professional life can be limiting factors in their interaction, in ways that fatherhood and professional life are not necessarily. The work aims to artistically probe and unpack this double standard.

The artists of Diametrically Composed are mothers and renown in their field. Conceived by flutist/composer Allison Loggins-Hull, the collaborative artists include composers Paola Prestini,  Sarah Kirkland Snider and Valerie Coleman, and pianist Gabriela Martinez. Their contributions reflect personal experiences, exploring diverse themes related to being a mother and an artist. Diametrically Composed reaches beyond the typical flute and piano recital, providing an immersive performance experience incorporating recited text, narratives and points-of-view of mothers from varied artistic professions.

Diametrically Composed will premiere at National Sawdust in NYC in 2018, followed by touring through 2020 and beyond. The music of Diametrically Composed will be released as an album, with a portion of proceeds going to organizations that serve to empower women.

Fractured Atlas

Diametrically Composed is a sponsored project of Fractured Atlas, a non profit arts service organization. Contributions for the charitable purposes of Diametrically Composed must be made payable to “Fractured Atlas” only and are tax deductible to the extent permitted by law.


allison loggins hull montclair state fluteThis past week, I had the pleasure of coaching the flute ensemble at Montclair State University on my piece “Stacked” for 6 flutes. They’ve performed it multiple times and brought a great sense of joy and excitement to our coaching session. We also had a blast reading through Flutronix’s piece “Flock” for 4 flutes and alto flute. All-in-all, it was fun afternoon with lots of fluting and laughs. Thanks to Dr. Silverman for having me and the students for their hard work!