I am THRILLED to officially announce the launching of my latest project, Diametrically Composed. This project is inspired by life as a mother and I am privileged to say I am working with an incredibly fierce group of musicians who are also moms!
To add to the excitement, Diametrically Composed has been fiscally sponsored by Fractured Atlas! Please read on for more details…
Diametrically Composed is a collection of newly commissioned works for flute and piano exploring the duality of being a mother and an artist.
Immediately after childbirth, it becomes clear that motherhood is multifaceted and life-changing. This new reality brings the joy of experiencing a newly created being and a powerful impact on creativity. Being an artist-mother is fulfilling, rewarding, and unpredictable – full of love, beauty, and constant learning. Caring for and cultivating the development of someone else’s life is a privilege and artistically inspiring. While our children inform our art, our art informs our children and the steady current of energy generated from the two creates a distinct and flourished experience.
While Diametrically Composed revels in the exuberance of being a mother and an artist, the work also confronts the notion that motherhood and professional life can be limiting factors in their interaction, in ways that fatherhood and professional life are not necessarily. The work aims to artistically probe and unpack this double standard.
The artists of Diametrically Composed are mothers and renown in their field. Conceived by flutist/composer Allison Loggins-Hull, the collaborative artists include composers Paola Prestini,Sarah Kirkland Snider and Valerie Coleman, and pianist Gabriela Martinez. Their contributions reflect personal experiences, exploring diverse themes related to being a mother and an artist. Diametrically Composed reaches beyond the typical flute and piano recital, providing an immersive performance experience incorporating recited text, narratives and points-of-view of mothers from varied artistic professions.
Diametrically Composed will premiere at National Sawdust in NYC in 2018, followed by touring through 2020 and beyond. The music of Diametrically Composed will be released as an album, with a portion of proceeds going to organizations that serve to empower women.
Diametrically Composed is a sponsored project of Fractured Atlas, a non profit arts service organization. Contributions for the charitable purposes of Diametrically Composed must be made payable to “Fractured Atlas” only and are tax deductible to the extent permitted by law.
This past week, I had the pleasure of coaching the flute ensemble at Montclair State University on my piece “Stacked” for 6 flutes. They’ve performed it multiple times and brought a great sense of joy and excitement to our coaching session. We also had a blast reading through Flutronix’s piece “Flock” for 4 flutes and alto flute. All-in-all, it was fun afternoon with lots of fluting and laughs. Thanks to Dr. Silverman for having me and the students for their hard work!
Flutronix had the distinct honor of competing in the inaugural M-Prize, an international chamber arts competition based in Ann Arbor, at the University of Michigan School of Music, Theatre & Dance. After reviewing over 170 applications from 13 countries, the M-Prize Screening Jury invited 29 ensembles to compete in the live Semi-Final, Final, and Grand Prize rounds of competition. Flutronix is thrilled to have competed with such a diverse group of high-caliber ensembles! // More Information
This spring, I had the honor of serving on the panel for the inaugural New Music USA Impact Fund. The Impact Fund represents the first major effort to aggregate and amplify the voice of the New York new music community online. It supports new residency relationships, provides general operating support, and leverages the New Music USA online platform to share events and news with a growing fan base.
Together, New Music USA and the Impact Fund cohort will tackle challenges facing the NYC new music community today, create a vibrant public identity for the sector, build connections and collaborations, and find innovative solutions to the need for increased performance and rehearsal space.
The other panelists for the inaugural cohort were:
Patrick Castillo, composer and executive director of Hotel Elefant |Laura Kaminsky, composer | Kristin Marting, artistic director of HERE |Ryan Muncy, saxophonist, director of institutional giving, and co-director OpenICE with ICE | Kathleen Supové, pianist | Yulun Wang, owner of Pi Records
This past May, Flutronix made their Museum of Contemporary Art (MCA) Chicago debut. Presented in association with the eighth blackbird residency, Flutronix performed music from their latest EP City of Breath, along with selections from previous releases. Held in the MCA’s third floor galleries and with a packed crowd, the duo’s program paid homage to their classical upbringing, featuring more “acoustic” works. Watch a fan video from this performance.